"Representation made a way for me to subtle areas of paintings. It has enriched me in grasping and analyzing the very core of things. In fact, it is the obvious form of the object that turns me in search of absolute form devoid of any recognizable form.
The process involves realistic comprehension in terms of pictorial tools that is line, form colors, textures, surface and its evolution in visual devices. Within painting, I found a world constructed of its own, where one form evolves others and so on. Colors become indispensable to unravel cosmos lies within every form to provide relevant structure. It creates an atmosphere conducive for visual order.
The process is adventurous as well as exciting in the phenomenal world of surface and space which reinforce my notion towards abstraction. I grow attentive and learn with every work that develops within me mystical tendencies and contentment."
Mahesh Jagtap
"Spontaneity allows the creator to release energy that is exactly, I am assimilating on the surface. The process of painting can start from varied points of references organic cum geometrical. These forms grow through overlapping of colors and consistent rendering over and again that connect beholder towards some sort of contention, obviously the visual components in terms of paintings having distant world. Under Perceptive level it sub ducts of a world yet to be born. Naturally the beholder may be delighted of which come out of canvas or within frames. In so far as intuitive level, there is no need to hesitate or hamper the visual aspect of visualization. The net experience that I gained as come to realize that visuals have life of its own. Beholder is one who activates and halts at the point of contention, but I take flight into new risk. The whole process satiates one that is why creativity brooked no barrier and 'limitation, creativity indeed transcends obvious barrier."
Rakesh Kumar