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X-WR-CALDESC:Events for Kamalnayan Bajaj Hall & Art Gallery
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TZID:Asia/Kolkata
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DTSTART:20240101T000000
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20260222T110000
DTEND;TZID=Asia/Kolkata:20260228T190000
DTSTAMP:20260304T090259Z
CREATED:20260223T041005Z
LAST-MODIFIED:20260304T090259Z
UID:11752-1771758000-1772305200@kamalnayanbajajartgallery.com
SUMMARY:Atlas of the Wild: In Photography and Living Traditions of India
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nAcross visual traditions\, the natural world has been understood not merely as a subject of depiction\, but as a field of knowledge shaped by observation\, memory\, and lived experience. Bringing together award-winning wildlife photography from Sanctuary Nature Foundation and indigenous and traditional artworks from the Sarmaya Art Foundation collection\, this exhibition explores how ecosystems are recorded across time\, as living\, interdependent systems shaped by reciprocity and human presence. \nModern wildlife photography in India has evolved from colonial-era staged imagery to an ethical and immersive practice that portrays animals within their habitats and ecological realities. For over two decades\, the Sanctuary Wildlife Photography Awards have recognised photographers who document rare natural history moments\, fragile habitats\, and the increasing impact of climate change and human–wildlife interaction. These images position the camera as a vital tool for conservation\, recording vulnerability\, resilience\, and urgent environmental change. \nIn dialogue with these works are living traditions of India including Gond\, Warli\, Mithila\, Bhil\, and Pattachitra. For generations\, these communities have depicted forests\, rivers\, trees\, animals\, and human life as interconnected and sentient. Through cosmologies\, rituals\, and seasonal cycles\, their works reflect reverence\, ecological familiarity\, and inherited knowledge\, presenting nature as a dynamic and sustaining system. \nThis exhibition showcases our continued support in fostering dialogues around ecology and visual culture\, reaffirming Kamalnayan Bajaj Art Gallery’s commitment to supporting wildlife conservation through meaningful artistic collaborations. By bringing together wildlife photography and the living traditions of India\, we create a shared space where documentation intersects with inherited knowledge\, and contemporary conservation dialogues engage with time-honoured cultural memory\, strengthening collective awareness\, responsibility\, and care for the living world. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11743\,11742\,11741″ img_size=”full” css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/atlas-of-the-wild-in-photography-and-living-traditions-of-india/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2026/02/WhatsApp-Image-2026-02-16-at-12.10.48-PM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20260216T110000
DTEND;TZID=Asia/Kolkata:20260221T190000
DTSTAMP:20260223T040554Z
CREATED:20260218T083816Z
LAST-MODIFIED:20260223T040554Z
UID:11746-1771239600-1771700400@kamalnayanbajajartgallery.com
SUMMARY:Celestial Terrains: Between Moonlight\, Mountains & the Sea
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nLandscape\, in Peeyush Bavalia’s practice\, is not a site to be described but a condition to be inhabited. In Celestial Terrains\, the artist presents a body of work shaped by prolonged engagement with natural environments—mountains\, seas\, and moonlit skies—approached not as external spectacles but as spaces of inward attention.\nThese works emerge from lived encounters with terrain: moments of walking\, pausing\, observing\, and returning. The mountains appear as silent presences—stable yet responsive—while the sea unfolds through rhythm and repetition. Moonlight becomes a connective force\, mediating between sky and earth\, revealing form gently rather than dramatically. Across the exhibition\, light is less an optical phenomenon and more a quiet guide\, shaping depth\, distance\, and emotional tone. \nBavalia’s use of water-based and free-flowing mediums such as acrylic and ink allows form to surface gradually through layering\, tonal shifts\, and restraint. Gesture remains minimal\, often held in suspension\, creating a sense of stillness rather than resolution. The works resist narrative closure; instead\, they open into reflective spaces where time slows and perception deepens. \nWhile rooted in specific geographies\, these landscapes are not bound to place. They hover between the physical and the psychological\, transforming terrain into an emotional register. Memory\, movement\, and silence shape the surfaces as much as topography. The act of trekking—of encountering vastness through the body—inflects the work with a sense of scale that is felt rather than measured. \nIn an era dominated by speed\, noise\, and visual excess\, Celestial Terrains offers a quieter proposition. The exhibition invites viewers to linger\, to attune themselves to subtle shifts of light and form\, and to experience landscape as a meditative encounter. Here\, nature does not overwhelm; it listens. And in that listening\, a space opens for stillness\, balance\, and inward reflection. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11730\,11731\,11732\,11733″ img_size=”full” css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/celestial-terrains-between-moonlight-mountains-the-sea/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/png:https://kamalnayanbajajartgallery.com/wp-content/uploads/2026/02/Poster_Solo_-_Peeyush_Bavalia_optimized_5000.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20260209T110000
DTEND;TZID=Asia/Kolkata:20260214T190000
DTSTAMP:20260218T084037Z
CREATED:20260209T095448Z
LAST-MODIFIED:20260218T084037Z
UID:11715-1770634800-1771095600@kamalnayanbajajartgallery.com
SUMMARY:Continuum: Indus-Textures of Time
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nThe exhibition Continuum: Indus – Textures of Time offers a profound dialogue between antiquity and the present\, where history is not merely recalled but re-envisioned through the language of contemporary art. Artist Kajal Galtonde continues her exploration of the Indus Valley Civilization\, a theme central to her earlier Sindhu Series\, and extends it into a new body of work that bridges time\, memory\, and imagination. \nHer practice draws from the symbolic richness of one of the world’s earliest urban cultures-its scripts\, motifs\, and enduring materiality. Textures reminiscent of kiln-fired bricks\, metallic impressions\, and layered surfaces evoke the tactility of ancient craftsmanship while simultaneously unfolding into the modern world. By employing mixed media and a carefully considered colour palette\, Kajal transforms fragments of history into abstracted stylized visual experiences that transcend chronological boundaries. \nRather than being confined to the raw and archaic\, these works embody a transformative journey where ancient forms are reinterpreted\, revitalized\, and woven into a contemporary aesthetic language. In this process\, history becomes less of a static record and more of a living spirit\, resonating with timeless vitality. \nThis exhibition invites viewers to walk a mystic path that reimagines the Indus legacy\, urging us to reflect on how cultural memory shapes our present and can be carried forward into the future. Through Kajal’s works\, the past finds continuity not in imitation\, but in re- creation\, allowing us to witness the enduring essence of civilization in dialogue with the now. \nNote by- Yogeshri Dhamale \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11718\,11719\,11720\,11721″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/continuum-indus-textures-of-time/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2026/02/Invite.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20260127T080000
DTEND;TZID=Asia/Kolkata:20260201T170000
DTSTAMP:20260121T072838Z
CREATED:20260121T072838Z
LAST-MODIFIED:20260121T072838Z
UID:11660-1769500800-1769965200@kamalnayanbajajartgallery.com
SUMMARY:Thoughts on Environment
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nYesterday’s Teacher\, today’s Artist\, Forever a Mentor” \nMadhuri’s journey is a beautiful testament to the idea that creativity never truly leaves us; it simply waits for the right moment to bloom again. \nHer story carries a sense of profound continuity from her father Shrikrishna Shankar Samel’s legacy as Art Director for over 90 films in the golden era of Hindi Cinema to her own thirty five years of shaping young minds as an educator at Lions Pioneer School in Matunga after her MA and B.Ed degrees. While her career was in education\, her soul has always been that of an artist. By rediscovering the brush during the quiet\, often difficult days of the global COVID pandemic in 2020\, she has proved that art is not just a hobby\, but a form of resilience.\nHer decision to study Warli\, Gond and Madhubani art styles shows a deep respect for India’s roots. These folk arts are\, at their core\, about the very ‘balance of nature’\, making them the perfect medium for her social perspective. \nBridging tradition and Realism: Without formal training but with deep reverence to professional artists\, Madhuri immersed herself in the indigenous art forms of India:\nWarli: Capturing the rhythm of tribal life.\nGond: Celebrating the intricate patterns of nature.\nMadhubani: Honouring ancient stories through vibrant hues.\nRealism: An exploration of the world as it is.\nArt with a purpose \nMany paint for self-expression\, but for Madhuri\, it is painting for transformation. By dedicating the proceeds of her work to deserving students\, she bridges her two lives: as a teacher and the Artist\, funding futures. \nThrough her Realism and folk \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11662\,11663\,11664\,11665\,11666\,11667\,11668″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/thoughts-on-environment/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2026/01/WhatsApp-Image-2026-01-21-at-12.19.25-PM-1-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20260106T110000
DTEND;TZID=Asia/Kolkata:20260124T190000
DTSTAMP:20260105T093014Z
CREATED:20260105T093014Z
LAST-MODIFIED:20260105T093014Z
UID:11619-1767697200-1769281200@kamalnayanbajajartgallery.com
SUMMARY:Filters of Time & Derivation
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \n\nFilters of Time and Derivation Ed. 01\nCurated by Nikhil J M Purohit & Faandee\nA curatorial initiative of Kamalnayan Bajaj Art Gallery  \nArt\, at its core\, is a contemplative act\, a way of approaching what resists easy comprehension. The tools we rely on pictorial images\, icons\, codes\, and artistic functions shape how we learn\, operate\, interpret\, and perform. These systems are\, by nature\, unidentified\, unlabeled and they form the cognitive ground on which visual meaning is constructed.\nThis exhibition brings together a strong selection of diverse visual forms\, media\, and methods. The intent is to create an experiential and thought-engaging display that communicates the role of semiotic cognition within visual-making processes\, shaped by materiality\, cultural provenance\, and temporal framing. Each contributor may employ distinct processes and pursue radically different outcomes; however\, viewed together\, these objects open up a field of semiotic diversity\, revealing how meaning\, form\, and interpretation derive from differing creative lineages.\nEach exhibit becomes a specimen for visual investigation. Through this multidisciplinary assembly featuring practices by Bhuvanesh Gowda\, Hansodnya Tambe\, Madhav Imartey\, Neha Gawand Pullarwar\, Nilesh Kinkale\, Niteen Rangdal\, Nitin Hadap\, Nitin Arun Kulkarni\, Ruchita Madhok\, Sejal Shah Kshirsagar\, and the Vayeda Brothers. The aim is to foster comparative observations\, whether formal\, functional\, or contextual\, across visuals intended for both tangible and intangible applications. The exhibition’s interpretive cues and interactive programming further support the viewer in navigating these varied semiotic terrains.\n\n[/vc_column_text][/vc_column][vc_column width=”1/6″][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/filters-of-time-derivation/
LOCATION:Maharashtra
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2026/01/WhatsApp-Image-2026-01-05-at-1.00.59-PM-1.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251216T110000
DTEND;TZID=Asia/Kolkata:20251227T190000
DTSTAMP:20260119T042151Z
CREATED:20251216T071419Z
LAST-MODIFIED:20260119T042151Z
UID:11572-1765882800-1766862000@kamalnayanbajajartgallery.com
SUMMARY:Visual Momemtum
DESCRIPTION:दृश्यसंवेग — ViSUAL MOMENTUM \nThe conscious space gives birth to many forms. To create a new form\, the form must first absorb space within itself. Thus\, in reality\, space manifests or becomes embodied within the form. In Kabir’s words: “Inside the pot\, outside the pot – the void is one.” The void that seems empty is in truth conscious. Every painting must be experienced as such a space. So it is. \n  \nAn artist lives without the intention of creating memory\, yet sometimes painters or art admire feel the urge to create many works as symbolic imprints of momentary awareness. Therefore\, in their consciousness\, the painting appears as a narration of fleeting moments. This makes it difficult to locate the pure artistic ‘principle’ (kala-sutra) within a work and hence it has no narrative. To understand the principle\, one must convey its vision through stories or examples/narrations but the ‘narrative’ itself is not the principle. \n  \nPainting\, sculpture\, architecture\, drama – all must be read with the eyes\, heard with the ears\, measured by touch\, balanced through scent\, and tasted through words. Only then can one fully experience the conscious art – the “Visual Momentum” (drushyasamveg). \nWhile viewing the works of individual artists\, one must experience the following: in the visual impulse of the forms there lies force\, movement\, rotation\, and dissolution\, its effects\, direction\, and condition are seen in physical visible form of momentum. \nThis should be observed inwardly. \nThe rhythm of the surface within space\, the rhythm of the areas upon the surface this principle of rhythm is the visual soul of every painter’s work. What one experiences when seeing the pictorial sky\, the pictorial space\, is expressed in the following lines: \n  \nताल\, तोल\, लय श्यामश्वेत अंबर\, घडे निरंतर हेचि दृश्यध्यान. \n“Rhythm\, balance\, cadence in the black-and-white sky\, Forever forming – this is the meditation of sight.” \nA painting is the path of a traveller of art\, a way that is destined toward art itself. \nA painting is not the final destination of art – and this understanding is evident in the works of the artists in th es beyond form becomes known.” \nThis is the inner pictorial experience of these artists\, expressed beautifully in the line: \n  \nअंबर ते ध्यान लागे अंबरी\, कर अंबरी करोनिया. \n“When the sky becomes meditation\, The hand becomes the sky itself.” \nAll these artists are attempting to capture the space within the picture plane\, and pictorial consciousness through visual language. Some have used geometry as a basis\, some have used textures\, others have used lines\, and still others have utilized the repetition of pictorial elements or color dimensions. What one feels while viewing their works is captured in the lines: \n  \nडोळीयाने जाणा डोळीयाने जाणा\, दृश्याची गणना मना कोण करी. \n“Know it through the eyes\, know it through the eyes\, Who can measure the vision with the mind?” \nThese artists have understood the subtle distinction between bhāva (inner feeling) and bhāvana (emotion). That’s when the lines come to mind: \n  \nभावेवीण चित्नशिल्प न कळे निसंदेह\, स्वाध्यायवीण दृश्यानुभव कैसाकळे. \n“Without inner feeling\, sculpture and painting cannot be understood; Without self-study\, how can one comprehend visual experiences?” \nTo sustain the cyclical repetition of the visual experience\, it is necessary to con- tinuously engage in the visual contemplation of the seeing: \nदेखावा वाचावा भाव हा दृश्याचा\, आत्मा जो कलेचा दृश्य जप. \nRead the scene\, understand the emotion of visual for the soul of art lies in preserving the visual. \nToday\, it seems easy to gain fame before attaining mastery\, especially through artificial intelligence. Machine-generated designs are more visible everywhere. Yet these six artists overcome this challenge and strive to transform the flowing visual tradition in tune with time. \nTheir works reveal the principle of nature’s essence through each creation.
URL:https://kamalnayanbajajartgallery.com/event/visual-momemtum/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/12/WhatsApp-Image-2025-12-15-at-4.00.54-PM-1.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251208T110000
DTEND;TZID=Asia/Kolkata:20251213T190000
DTSTAMP:20260119T060552Z
CREATED:20251206T094350Z
LAST-MODIFIED:20260119T060552Z
UID:11561-1765191600-1765652400@kamalnayanbajajartgallery.com
SUMMARY:Apricity- An Exhibition featuring the artworks.
DESCRIPTION:“Apricity”” connotes the warmth of the Sun on a chilly winter day. Each piece cradles the viewer with the warmth of a knowing that even on the darkest and coldest days\, the light is within. Every artist brings a diverse stroke but they come together with a collective mission to let you end the year on a note of introspection.
URL:https://kamalnayanbajajartgallery.com/event/apricity-an-exhibition-featuring-the-artworks/
LOCATION:Maharashtra
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/12/1000554101.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251201T110000
DTEND;TZID=Asia/Kolkata:20251206T190000
DTSTAMP:20251128T084404Z
CREATED:20251127T081940Z
LAST-MODIFIED:20251128T084404Z
UID:11527-1764586800-1765047600@kamalnayanbajajartgallery.com
SUMMARY:Manthan- Anisha Sanghani
DESCRIPTION:A U.S.-based Indian mixed-media artist\, educator\, and designer presents Manthan at the Kamalnayan Bajaj Art Gallery\, Mumbai. A drawing from the mythic Samudra Manthan\, Sanghani reimagines the ocean’s churning as a mirror to our ecological reality\, where plastic and pollution replace nectar and poison. Through over twenty mixed-media works\, she is exploring coral bleaching\, marine suffocation\, and the fragile bond between humanity and the sea. \nRooted in her personal connection to the ocean\, the Manthan becomes both reflection along with an unwavering reckoning. An invitation to churn not the waters\, but our conscience. An award-winning artist trained across textile design\, visual communication and fine art\, Anisha’s fitork bridges mythology\, material\, and Modern meaning. \nSign-Up for Workshops! \nEnroll in the Art\, Writing\, and Chakra workshops from Dec. 2-6\, 2025\, led by various professionals \nCome\, experience the new Manthan and churn the journey within you.
URL:https://kamalnayanbajajartgallery.com/event/manthan-anisha-sanghani/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/11/WhatsApp-Image-2025-11-27-at-9.10.59-AM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251124T110000
DTEND;TZID=Asia/Kolkata:20251129T190000
DTSTAMP:20251121T130431Z
CREATED:20251121T130431Z
LAST-MODIFIED:20251121T130431Z
UID:11469-1763982000-1764442800@kamalnayanbajajartgallery.com
SUMMARY:Wings of Hope- Geetika Bajaj
DESCRIPTION:Nature and abstract artist\,  Geetika Shekhar Bajaj presents her fourth solo painting exhibition\, Wings of Hope — a butterfly-themed collection created in loving memory of her dear cousin\, Sunaina Kejriwal. \n\nEach artwork has been crafted through a slow layering of colour\, texture and mixed media\, echoing the way she layers her experiences\, memories and relationships over time.
URL:https://kamalnayanbajajartgallery.com/event/wings-of-hope-geetika-bajaj/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/11/WhatsApp-Image-2025-11-19-at-12.01.04-PM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251110T110000
DTEND;TZID=Asia/Kolkata:20251122T190000
DTSTAMP:20251107T072153Z
CREATED:20251107T071816Z
LAST-MODIFIED:20251107T072153Z
UID:11461-1762772400-1763838000@kamalnayanbajajartgallery.com
SUMMARY:Through the Veil of Rangeen-by Urvi Chheda
DESCRIPTION:[vc_row][vc_column][vc_column_text css=””] \nThrough the Veil of Rangeen \nColour often appears as the most immediate element of visual experience\, yet it carries depths far beyond its surface. It moves through perception\, mood\, and memory—shaping how we sense and respond to the world. \nThrough the Veil of Rangeen begins with this idea of colour as an affective and cultural force\, unfolding into Rangeen—an Urdu word that means colourful yet holds many shades of meaning: joyful\, passionate\, spirited\, and playful. In everyday language\, a rangeen mizaj person is one attuned to life’s sensations\, its beauty and its excesses. \nThe exhibition gathers artists whose works stretch this idea of Rangeen—from the abstract to the figurative\, from the tactile to the digital. Minal Damani’s delicate mark-making\, Rajbhar’s expressionist excess\,  Jyotee’s screenplay of abstraction\, and Dr Audra’s layered warmth explore colour as emotion and intuition. Abhishek Rathod’s vivid figurations of labour and resilience\, Hemant Shinde’s ecological forms\, and Koustav’s chromatic politics extend colour into social consciousness. Neha’ fragile forms turn colour into tenderness\, while Dipali Gupta and Pankaj Khalode’s erotic forms merge desire and introspection\, pushing Rangeen into its corporeal register. In the digital works of Soumya and Neeraj\, Rangeen moves through motion and sound—reflecting urban commotion and the lingering rhythm of home. \nThrough the Veil of Rangeen traces a journey from colour as perception to Rangeen as temperament and lived experience. Here\, colour is not merely seen—it is felt\, remembered\, and desired. It becomes a way of being in the world: shifting\, intimate\, and inexhaustibly alive. Are you alive? \nCurator \nUrvi Chheda \n[/vc_column_text][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/through-the-veil-of-rangeen-by-urvi-chheda/
LOCATION:Maharashtra
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/11/invite.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251027T110000
DTEND;TZID=Asia/Kolkata:20251101T190000
DTSTAMP:20251027T095723Z
CREATED:20251027T095723Z
LAST-MODIFIED:20251027T095723Z
UID:11435-1761562800-1762023600@kamalnayanbajajartgallery.com
SUMMARY:Art Exhibition By Ath
DESCRIPTION:An Art Exhibition of Paintings\, Sculptures and Mix Media organised by Ath through Open Call.
URL:https://kamalnayanbajajartgallery.com/event/art-exhibition-by-ath/
LOCATION:Maharashtra
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/10/WhatsApp-Image-2025-10-27-at-11.55.24-AM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251012T110000
DTEND;TZID=Asia/Kolkata:20251018T190000
DTSTAMP:20251010T054819Z
CREATED:20251010T054819Z
LAST-MODIFIED:20251010T054819Z
UID:11390-1760266800-1760814000@kamalnayanbajajartgallery.com
SUMMARY:Vishnuh- Vasanth Rao
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nI am text block. Click edit button to change this text. Lorem ipsum dolor sit amet\, consectetur adipiscing elit. Ut elit tellus\, luctus nec ullamcorper mattis\, pulvinar dapibus leo. \n[/vc_column_text][vc_column_text css=””] \nVishnuh The term Vishnu is dissolved as Veveshti Vyaapnoti iti Vishnuh-That which pervades everywhere is Vishnu. He is the one who pervades all and nothing ever pervades Him. ‘Eesaavaasyam Idam Sarvam’- All this is indwelt\, pervaded by the Lord. This very same idea is described in the typical style of the Puranas\, in the incarnation of the Lord as Vaamana\, the short-boy (Vamana)\, who\, with His three feet\, measured the entire universe. Because of this act\, the Lord got the name Vishnu\, says the Vishnu Purana. The root ‘Vis’ means ‘to enter’. The entire world of things and beings is pervaded by Him and the Upanishad emphatically insists in its mantra ‘whatever that is hange’. Hence at He is not limited by space (Desa)\, time (Kaala) or substance (Vastu). \nAs an artist I believe that Art is not just a drawing or visual representation for me but rather beyond that. It has been a key tool and process of discovering myself. It is my visual diary wherein I note and express my explorations. Though my journey began 29 years ago with expressing objects and experiences of my external world\, it soon turned into Self-discovery process. For me\, Art is that eminent medium that helps me discover my core soul aspects like sex and spirituality. This accelerated and graduated my curiosity in key areas Self\, and thus\, sex and Spirituality became my subject exploration which I try to represent visually through my art. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11394\,11395\,11396″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/vishnuh-vasanth-rao/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20251002T110000
DTEND;TZID=Asia/Kolkata:20251011T190000
DTSTAMP:20260119T055551Z
CREATED:20251001T042801Z
LAST-MODIFIED:20260119T055551Z
UID:11290-1759402800-1760209200@kamalnayanbajajartgallery.com
SUMMARY:GANDHI’S INDIA & INDIA’S GANDHI – Curated by Raju Sutar
DESCRIPTION:[vc_row][vc_column width=”1/2″][vc_column_text css=””] \nTo the world\, India is inseparable from the legacy of Gandhi—a nation born of his ideals. Global perceptions often highlight India’s emergence from colonial suffering into strength\, resilience\, and sovereignty. Yet within India\, Gandhi evokes a far more complex response. We revere him\, emulate him\, critique him\, even reshape and sometimes reject his image in the mirror of our times. \nThis series is a heartfelt reflection—my personal journey into the abstract\, multifaceted idea we call GANDHI. \nMy artistic journey has long been captivated by the figure of Gandhi. Each of us\ncarries a distinct image of him—shaped by perception\, memory\, and myth. As I delved deeper into the phenomenon of Gandhi\, I encountered a multitude of complex\, often contradictory ideas—some I embraced\, others I challenged—but all left a lasting impact. \n[/vc_column_text][/vc_column][vc_column width=”1/2″][vc_gallery interval=”3″ images=”11293\,11294\,11295\,11296″ css=””][/vc_column][/vc_row][vc_row][vc_column][vc_column_text css=””] \nDuring my travels across the world\, I witnessed the deep reverence his name still commands. Even today\, his ideals inspire and resonate; there’s a timeless\, almost magnetic quality to the way people respond to him. \nTo me\, Gandhi felt like a conceptual artist—employing symbols such as the *Salt March* and the *Charkha* not just as political tools\, but as powerful visual metaphors. These objects became vehicles for personal and collective reflection\, guiding individuals toward self-awareness and socio-political consciousness. \nThis series is my attempt to interpret Gandhi through a visual lens\, using archival photographs and historical imagery to construct a layered\, personal reflection on who he was\, how he is remembered\, and what he continues to  represent. \n[/vc_column_text][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/gandhis-india-indias-gandhi-curated-by-raju-sutar/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/png:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/10/Invite.png
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250922T110000
DTEND;TZID=Asia/Kolkata:20250927T190000
DTSTAMP:20251001T043858Z
CREATED:20250918T032732Z
LAST-MODIFIED:20251001T043858Z
UID:11101-1758538800-1758999600@kamalnayanbajajartgallery.com
SUMMARY:Rolling with the Passage - Priyanka Tayal
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nArt is never still. It shifts\, bends and rolls – just as life itself does. Rolling with the Passage brings together abstract artworks that explore the rhythm of change and the beauty of surrendering to movement. \nEach piece is less about fixed meaning and more about the experience: the gesture of a brushstroke\, the layering of the color\, the tension between chaos and calm. The works invite viewers to pause\, drift and travel with the forms as they unfold – without destination\, only passage. \nThis show is a meditation on fluidity – of thought\, of time\, of being. To “roll with the passage” is to let go of resistance and find harmony in motion. The exhibition opens a space where abstraction becomes both journey and companion\, echoing the ways we navigate our own shifting landscapes. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11104\,11105\,11106\,11107\,11108\,11109″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/rolling-with-the-passage/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/09/Invite.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250916T110000
DTEND;TZID=Asia/Kolkata:20250921T190000
DTSTAMP:20250915T070915Z
CREATED:20250913T082501Z
LAST-MODIFIED:20250915T070915Z
UID:11068-1758020400-1758481200@kamalnayanbajajartgallery.com
SUMMARY:Magic Moments- Vision Beyond Sight
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nPadmashri Dr. Mukesh Batra\, India’s renowned homeopath\, philanthropist\, and passionate photographer\, is unveiling his 56th photographic exhibition\, Magic Moments – Echoes of the North Pole\, on 16th September 2025 at the Kamalnayan Bajaj Art Gallery\, Nariman Point\, Mumbai. \nThe exhibition captures the pristine landscapes and unique culture of Norway\, offering viewers an immersive experience of the country’s timeless beauty. Curated with Dr. Batra’s signature sensitivity\, the showcase is not just about photography—it is about building connections\, raising awareness\, and creating a shared space of healing and reflection through art. \nContinuing his longstanding commitment to social causes\, proceeds from the exhibition will aid the Victoria Memorial School for the Blind. Over the years\, Dr. Batra’s exhibitions have supported numerous initiatives\, reflecting his belief that art can be a force for good. \nThe inauguration will be graced by Chief Guest Shekhar Suman \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11093\,11094\,11095\,11096″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/magic-moments-vision-beyond-sight/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/09/WhatsApp-Image-2025-09-12-at-10.02.45-AM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250901
DTEND;VALUE=DATE:20250914
DTSTAMP:20250915T062514Z
CREATED:20250828T094048Z
LAST-MODIFIED:20250915T062514Z
UID:11027-1756684800-1757807999@kamalnayanbajajartgallery.com
SUMMARY:निसरडं nisaṛaḍa: Quagmires for Epiphanies
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nIn the 21st century\, the meanings of ‘things’ we know and the values we attach to them have become unstable\, shifting with a pace faster than any moment in human history. Like feet slipping in marshland\, our grasp of the world is continuously unsettled—less about the survival of the fittest\, more about the survival of the compatible. At this crossroads of time and thought\, we constantly renegotiate meaning\, informed by philosophical turns\, political upheavals\, scientific revelations\, and the hyper-access to information. What emerges are fragile terrains of understanding—collective behaviours and individual responses that are always provisional. \nArtists\, however\, hold a distinct capacity: to distill these complexities into contemplative form. Their works act as coordinates for navigating the overwhelming conditions of our present. Through visual frameworks\, they open portals into existential anxiety\, ecological vulnerability\, geopolitical turbulence\, politicized ecologies\, and the widening gulf between rural and urban realities. \nThe exhibition “निसरडं nisaṛaḍa: Quagmires for Epiphanies” positions art as both compass and mirror. In confronting the slipperiness of our times\, it seeks to create moments of clarity—epiphanies that illuminate how we might endure\, reimagine\, and act within the quagmires we inhabit. \n-Nikhil Purohit\, Curator\, Arts Administrator \nएकविसाव्या शतकात\, पूर्वी स्थिर मानले जाणारे अर्थ अधिकाधिक अस्थिर व असुरक्षित होत चालले आहेत — हे अर्थ तात्त्विक व राजकीय बदल\, वैज्ञानिक शोध\, आणि माहितीच्या अति-सुलभ उपलब्धतेमुळे सतत बदलत व नव्याने निर्माण होत आहेत. या बदलांचा परिणाम सामूहिक वर्तनपद्धती\, जाणीवा\, आणि वैयक्तिक प्रतिसाद यामध्ये दिसून येतो\, ज्यामुळे आपली समज कायमस्वरूपी अस्थिर\, निसरडी वाट बनते. जणू काही चिखलट जागेत किंवा दलदलीत पाय ठेवले असावेत\, तशी आपल्या जगाबद्दलची समज सतत बदलते आहे — कारण आयुष्याचा वेग मानवाच्या इतिहासात कधी नव्हता इतका वाढलेला आहे. या बदलत्या वास्तवात “सर्वोत्तम” नव्हे तर “सुसंगत” टिकून राहतो. अशा वेळा आणि विचारांच्या वळणावर आपण जवळजवळ प्रत्येक क्षणी गोष्टींचे अर्थ लावण्याचा प्रयत्न करत असतो. \nकलाकार तात्विक भूमिका\, सामाजिक\, राजकीय-भौगोलिक अस्थिरता\, अस्तित्वासाठीचे संघर्ष\, निसर्गाची हानी\, ग्रामीण-शहरी जगण्यातील द्वंद्व; या साऱ्यांकडे तटस्थ होऊन पाहू शकतात आणि आपले निकष कलाकृतींच्या माध्यमातून मांडतात. दर्शकांना प्रदर्शनातील कलाकृतींच्या अनुभवांतून जगाकडे पाहण्याची प्रचिती येऊ शकते. तसेच विविध दृष्टिकोनातून स्वतःचे मापदंड ठरवण्या करिता ‘निसरडं- प्रचितीचे स्वानुभव’ हे कलाप्रदर्शन  साधन ठरू शकते. \nNikhil पुरोहित\, Curator\, कला लेखक \nCuratorial Advisor: Rajesh Pullarwar janiva \nParticipating Artists: \nAmrit Kartar\, Dilip Ranade\, Javed Mulani\, Kishore Thakur\, Mithu O\, Pankaj Khalode\, Pradeep Mishra\, Prajakta Palav\, Ranajeet Lade\, Yashwant Deshmukh. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11071\,11072\,11073\,11074″ css=””][vc_gallery interval=”3″ images=”11025″ css=””][vc_gallery interval=”3″ images=”11030″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/%e0%a4%a8%e0%a4%bf%e0%a4%b8%e0%a4%b0%e0%a4%a1%e0%a4%82-nisa%e1%b9%9ba%e1%b8%8da-quagmires-for-epiphanies/
LOCATION:Maharashtra
CATEGORIES:Upcoming Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/08/Invite-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250825
DTEND;VALUE=DATE:20250901
DTSTAMP:20250903T071309Z
CREATED:20250822T053814Z
LAST-MODIFIED:20250903T071309Z
UID:11011-1756080000-1756684799@kamalnayanbajajartgallery.com
SUMMARY:Equations of the Future – A Journey Through Hope and Possibility
DESCRIPTION:The exhibition is curated by Smita Kinkale (Artist & Educator) and will be inaugurated by eminent artists Padmashree Sudharak Olave and Dr. Kishor Ingale (Director of Art\, Maharashtra State). \nParticipating artists:\n• Rutuja Sonawne\n• Ashvita Meher\n• Shraddha Chavan\n• Ashish Telangur\n• Gaurav Bansode \nThis exhibition brings together diverse practices that reflect personal and collective journeys of hope\, struggle\, and renewal through contemporary painting and printmaking. We would be honoured by your presence and support.
URL:https://kamalnayanbajajartgallery.com/event/equations-of-the-future-a-journey-through-hope-and-possibility/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/08/unnamed.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250818T110000
DTEND;TZID=Asia/Kolkata:20250823T190000
DTSTAMP:20250915T065541Z
CREATED:20250813T085133Z
LAST-MODIFIED:20250915T065541Z
UID:10998-1755514800-1755975600@kamalnayanbajajartgallery.com
SUMMARY:Songs of the forest\, a Gond Narrative by Me Meraki
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_gallery][vc_column_text css=””] \nWhat does it mean to belong to a forest?\nTo speak its patterns\, dream in its colours\, and draw by hand a cosmology shaped not by borders but by memory?\nIn Gond\, nature is not merely a theme\, it is the origin\, the archive and the animate world itself. At first\, all the paintings seem the same. Vibrant creatures\, dotted and patterned forms\, a rhythmic repetition of line. However\, if you stand long enough\, you begin to notice the subtle differences in the seemingly similar dots and patterns. No two artists trace the same path through the world\, and no two paintings are alike. What looks like repetition is\, in fact\, individual identity.\nThe exhibition brings together traditional Gond paintings and works that engage with both traditional and contemporary themes and styles.\nThis unique exhibition brings together the works of seven celebrated Gond master artists: Gareeba Singh Tekam\, Kailash Pradhan\, Manoj Kumar Tekam\, Saroj Venkat Shyam\, Sandeep Dhurve\, Sukhiram Maravi\, and Venkat Raman Singh Shyam. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11088\,11089″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/songs-of-the-forest-a-gond-narrative-by-me-meraki/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/08/WhatsApp-Image-2025-08-11-at-2.52.39-PM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250805T110000
DTEND;TZID=Asia/Kolkata:20250809T190000
DTSTAMP:20250915T064220Z
CREATED:20250805T063423Z
LAST-MODIFIED:20250915T064220Z
UID:11077-1754391600-1754766000@kamalnayanbajajartgallery.com
SUMMARY:Continuum: INTACH’s Commitment to Future of the Past
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nContinuum: INTACH’s Commitment to Future of the Past\n\n\n\n\n\n\n\nJoin us from Tuesday 5th August to 9th August for a celebration of 40 years of INTACH and 100 years of Art Deco in Mumbai. \nWe have put up an Exhibit – “Continuum: INTACH’s Commitment to the Future of the Past” and organised of a 5-day event celebrating heritage with dialogues\, talks and storytelling. \nCome join us in our celebrations and do register for each event individually on the number given below. Limited seats only. \nProgram for the week: \n5th August: 5.30 pm to 6.30 pm: Inauguration of the exhibition Continuum: INTACH’s Commitment to the Future of the Past \n6th August: 5 pm to 6.30 pm: Panel Discussion – Design\, Legacy\, Champions & Recognition: Mumbai’s Art Deco & the UNESCO Milestone. Panelists: Dr. Manjiri Kamat\, Urban Historian\, Mrs. Abha Narain Lambah – Conservation Architect\, Mrs. Nayana Kathpalia – Civic society advocate\, Trustee of OVAL Trust\, UDRI & NAGAR Moderated by Prof. Mustansir Dalvi \n7th August: 5.00 pm to 6.30 pm: Panel Discussion – “Preserving Identity: The Role of Heritage in a Rapidly Developing World”. Panelists: Mr. Ranganathan\, Mr. Rajan Jayakar\, Mr. Venkat\, Moderated by Kirtida Unwala – Conservation Architect. \n8th – August: 5.00 pm to 6.30 pm. Gods\, preachers and spirits: Faith and belief in Mumbai Talk by Utkarsh Patel and Arundhuti Dasgupta. \n9th August: 11.30 am to 12.30 pm. Story of the Caves through Dance and Storytelling : By Devpriya \nExhibition will be open from 5th to 9th August\, 11am to 6.30pm daily. Do WhatsApp on: +91 93414 40939 to register for all events individually. \n\n\n\n\n\n\n\n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”11081\,11082\,11083\,11084″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/continuum-intachs-commitment-to-future-of-the-past/
LOCATION:Maharashtra
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/08/Your-paragraph-text-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250801T100000
DTEND;TZID=Asia/Kolkata:20250803T190000
DTSTAMP:20250822T053415Z
CREATED:20250801T060703Z
LAST-MODIFIED:20250822T053415Z
UID:10977-1754042400-1754247600@kamalnayanbajajartgallery.com
SUMMARY:CLEARANCE SALE
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text]Hurtado Home Decor Boutique cordially presents a 3-day exhibition and clearance sale of exclusive furniture and home décor\, from 1st to 3rd August 2025.[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10981\,10982\,10983\,10984″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/clearance-sale/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/08/WhatsApp-Image-2025-08-01-at-11.08.36-AM.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250706T080000
DTEND;TZID=Asia/Kolkata:20250712T170000
DTSTAMP:20250801T054528Z
CREATED:20250707T042852Z
LAST-MODIFIED:20250801T054528Z
UID:10961-1751788800-1752339600@kamalnayanbajajartgallery.com
SUMMARY:Terrains in Transition
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nThe exhibition presents the artworks of artists Prachi Mayekar and Pooja Shinde whose practices\, as formally different as they are\, meet at the intersections of place\, impermanence\, and the traces of change—both internal and external. Presenting themselves under the rubric of “Terrains in Transition\,” the exhibition explores the fluid interactions between objects\, environments\, and memory. \nTerrains in Transition navigates physical and affective landscapes constantly in motion—built\, worn away\, lived\, and remembered. Throughout the exhibition\, terrain is a place where function and feeling converge\, where areas change under the force of time\, usage\, and imperceptible drift. The works consider how shapes—whether built\, domestic\, or symbolic—evolve in significance and substance over time. Staged assemblages composed of mundane packaging\, domestic detritus\, and manufactured objects resonate with the developments of the city and standardization\, and call attention to how we remake our worlds to reflect regimes of control\, containment\, or comfort. Fragile etchings of weathered facades and neglected corners provide a counterpoint—subtle observations of time’s inscriptions\, asking viewers to attend to the poetic details that are lost in the rush of everyday life. \nCollectively\, these texts invite us to consider how we negotiate and change space—not only physically\, but also emotionally and culturally. Ground here is not fixed earth but an inscribed history of presence\, memory\, and change. Every surface\, every structure\, every object becomes an actor in a larger story—a one influenced by impermanence\, accommodation\, and the invisible rites of everyday life. \n“Terrains in Transition” is not a resolution but an offer of residence: within the passing\, within the bypassed\, within the banal made uncommon—between control and breakdown\, between here and there. \nNachiket Prakash \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10973\,10974\,10975″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/terrains-in-transition/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/07/T-in-T-Invite-3.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250602T110000
DTEND;TZID=Asia/Kolkata:20250607T190000
DTSTAMP:20250610T053505Z
CREATED:20250602T041421Z
LAST-MODIFIED:20250610T053505Z
UID:10952-1748862000-1749322800@kamalnayanbajajartgallery.com
SUMMARY:रेषाkaar
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nReshakar: The Language Of The Unknown \nIf you look closely\, we are surrounded by lines. Are lines a primal form of divinity? Maybe. But if you do see it\, you would realize a glaring truth: all forms lie within formlessness. Just the way all order lies within chaos. Method within abstraction. Alpha within omega.  Look at it – A never ending queue is a line that makes a statement far more political than an actual sentence. A traffic jam is a jagged line that speaks of utter chaos. The lines on a tree bark speak of its age. Birds taking an early flight are lines rearranged by nature. Ripples are patterns created by the water.  So are the waves of a sea or a dry shoreline. Scales on a fish. Lines are the truest identity of a nature. Look at mountains from the airplane. Lines redrawn by tectonic shifts. Look at the lines on your palms. Your future lies ensconced in them. So\, you see\, lines exist in everything we do. Lines are the truest form of our existence. Identity of a civilization\, broken down to its bare minimum. \nThrough Reshakar\, I have tried understanding these patterns that exist within us as much as outside of us. Lines have stood resiliently for all the mind-states that I went through over the years. They came across as beautiful and strange revelations on journeys. This exhibition is a culmination of all the lines that flashed before my eyes before finally making their way on these canvasses.  Reshakar is a confluence of everything I have been experiencing\, through a non-linear narrative of lines. Unraveling the language of the unknown. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10943\,10944\,10945\,10946\,10947″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/%e0%a4%b0%e0%a5%87%e0%a4%b7%e0%a4%bekaar/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/05/Invite.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250526T110000
DTEND;TZID=Asia/Kolkata:20250531T190000
DTSTAMP:20250602T040131Z
CREATED:20250526T053305Z
LAST-MODIFIED:20250602T040131Z
UID:10925-1748257200-1748718000@kamalnayanbajajartgallery.com
SUMMARY:Myriad Visual Perceptions
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \n\nMyriad Visual Perceptions \n\n\n\n\n\n\n\n\n\n\nMy recent work in Acrylic colours and Mixed media is a result of keen observations\, apt compositions and suitable colour tones to show the desired visual effects in them. Over the years\, I have endeavoured to reveal the expected visual perspectives covering vivid realms of life in my works. \nThe present series incorporates myriad visual perceptions revealing subtle nuances of Sufism and their philosophical peculiarities along with the traditional heritage via iconic dances and musical rhythm. Another noteworthy aspect of human life on emotional plane has been shown through sentimental mindscapes of sensitive human beings and their facial emotions in conducive environments. It also highlights various feelings like joy\, agony\, eagerness\, excitement etc. in the sentimental iconic metaphors. Rajasthan has a rich cultural traditional heritage as well as colourful social life. I have shown their glimpses in my work and highlighted the glory of that region. Nature is an omnipotent source of inspiration for all and I have focused on revealing its Grandeur in various seasons throughout a year in my style in an abstract stylish form. I have endeavoured to show the relevance and sanctity of 5 divine elements such as Earth\, Water\, Air\, Fire and Ether in the Universe. Use of Red\, Green\, Blue\, Yellow\, Black\, Orange\, Violet and more colours in an optimum form renders unique visual perspective of Ecstasy to my work. \nI look forward to an enthusiastic and appreciative response for my creations from the present art world which would duly inspire and encourage me for more thematic presentation in my future art journey. \n\n\n\n\n\n\n\n\n\n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10923\,10922″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/myriad-visual-perceptions/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/05/Your-paragraph-text-2.jpg
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20250519
DTEND;VALUE=DATE:20250525
DTSTAMP:20250526T053403Z
CREATED:20250516T062430Z
LAST-MODIFIED:20250526T053403Z
UID:10892-1747612800-1748131199@kamalnayanbajajartgallery.com
SUMMARY:भारतीय ग्रामीण घटक
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nभारतीय ग्रामीण घटक The brings together a compelling body of work that reflects the enduring presence of rural material culture and mythology within contemporary visual practice. \nGovind Shirsat and Raunak Rai together explore themes rooted in Indian rural life—its objects\, rituals\, and narratives—offering a nuanced visual discourse that bridges tradition with the present. \nThrough works rich in symbolism\, materiality\, and storytelling\, this exhibition presents the rural not as peripheral\, but as central to the evolving cultural landscape of India. The artists invite viewers to reimagine the rural space not as a static memory\, but as a dynamic field of lived experience\, belief\, and creativity. \nSupported by the Lotus Art Foundation\, this initiative reflects a broader commitment to providing platforms for young and rural-based artists from Maharashtra and across India. The Foundation’s support has been instrumental in enabling this exhibition\, which foregrounds voices often underrepresented in urban art spaces. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10899\,10900\,10901\,10902″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/%e0%a4%ad%e0%a4%be%e0%a4%b0%e0%a4%a4%e0%a5%80%e0%a4%af-%e0%a4%97%e0%a5%8d%e0%a4%b0%e0%a4%be%e0%a4%ae%e0%a5%80%e0%a4%a3-%e0%a4%98%e0%a4%9f%e0%a4%95/
LOCATION:Maharashtra
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/05/Your-paragraph-text-1.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250512T110000
DTEND;TZID=Asia/Kolkata:20250517T190000
DTSTAMP:20250519T043518Z
CREATED:20250507T055643Z
LAST-MODIFIED:20250519T043518Z
UID:10867-1747047600-1747508400@kamalnayanbajajartgallery.com
SUMMARY:FIND your path
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nMona Jain embarks on an extraordinary journey-With a minimalist approach to colour\, she explores the vast canvas of life\, weaving a deep synergy between the self and the universe. Her art delves into the subtlety of tones\, creating a delicate balance between simplicity and depth. In her multi-layered artworks\, Mona invites viewers on a mesmerizing voyage through mysterious\, imagined worlds. With spontaneous strokes and an intuitive hand\, she evokes blurred yet enchanting images-fragments of memory\, emotion\,\nand wonder-each piece whispering a story that unfolds with time.[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10873\,10874\,10875\,10876″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/find-your-path/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/05/The.jpg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250421T110000
DTEND;TZID=Asia/Kolkata:20250426T190000
DTSTAMP:20250428T044333Z
CREATED:20250421T034146Z
LAST-MODIFIED:20250428T044333Z
UID:10853-1745233200-1745694000@kamalnayanbajajartgallery.com
SUMMARY:“THE ZEAL” solo exhibition
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nDeepa Kulkarni has worked extensively in both acrylic paints and acrylic inks. Her signature style is rooted in abstract art\, yet her paintings consistently exude a sense of joy\, serenity\, and uplifting beauty. Even when a piece is rendered predominantly in black\, it captivates the viewer\, inviting prolonged contemplation. This is largely due to the artist’s masterful use of color harmony\, which Deepa Kulkarni achieves with remarkable precision. \n\nHer first solo exhibition was held in 2022 at the prestigious Kamalnayan Bajaj Art Gallery. Since then\, her work has been showcased in various cities including Jaipur\, Bangalore\, and at the Nehru Centre in Mumbai. Notably\, her paintings have been exhibited twice in New York. The renowned Amsterdam Whitney Gallery in New York displayed five of her artworks for an entire year.\n\nWorking in mediums such as acrylic paint and alcohol ink\, Kulkarni explores a range of visual expressions. Her creations in acrylic ink\, too\, reflect a distinct and innovative aesthetic.\n\nThe inaugural solo exhibition was graced by the presence of dignitaries such as Maharashtra Legislative Assembly Speaker Rahul Narwekar\, Maharashtra Legislative Council Chairman Ramraje Nimbalkar\, and noted artists Suhas Bahulkar and Prakash Bal Joshi — all of whom praised her work with great admiration.\n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10855\,10856\,10857\,10858\,10859\,10860\,10861\,10862″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/the-zeal-solo-exhibition/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/04/Invite-6.jpeg
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BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250414T110000
DTEND;TZID=Asia/Kolkata:20250419T190000
DTSTAMP:20250421T033516Z
CREATED:20250413T164709Z
LAST-MODIFIED:20250421T033516Z
UID:10833-1744628400-1745089200@kamalnayanbajajartgallery.com
SUMMARY:Shringor - The Divine Art in Pichwai
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nThis exhibition marks the first time Master Artist Shehzaad Ali Sherani’s extensive collection\, comprising over 30 exquisite works\, will be displayed at Kamalnayan Bajaj Hall. As a dedicated custodian of the Pichwai heritage\, Shehzaad Ali Sherani has devoted decades to perfecting and promoting this captivating art form. The themes of “Shringar” revolve around the Leelas of Shrinathji\, showcasing his unique interpretations and the symbolic elements inherent in Pichwai art. \nYou will have the opportunity to witness Pichwai art in both its traditional and modern forms\, crafted using natural colours and genuine gold and silver leaves\, alongside a fascinating fusion of traditional Indian art styles. The exhibition also includes a selection of masterpieces from the Kishangarh School\, offering a spiritual depiction of Krishna and scenes from his life\, such as the Raas Leela and Govardhan Dharan. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10839\,10840\,10841\,10842\,10843\,10844\,10845\,10846\,10847\,10848\,10849″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/shringor-the-divine-art-in-pichwai/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/04/Invite-5.jpeg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250407T110000
DTEND;TZID=Asia/Kolkata:20250413T190000
DTSTAMP:20250413T164825Z
CREATED:20250407T035156Z
LAST-MODIFIED:20250413T164825Z
UID:9591-1744023600-1744570800@kamalnayanbajajartgallery.com
SUMMARY:International Print Exchange Programme (IPEP)
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text css=””] \nInternational Print Exchange Programme (IPEP)\, India” is a unique non-profit barter-based activity through which printmakers collaborate with each other across the globe. Initiated by Mumbai based artist Rajesh Pullarwar in 2013\, IPEP India has spawned a community of over 6000 artists\, including 375 participants from 49 countries contributing a fantastic run of 120+ exhibitions around the world. Beyond conventional exchanges\, it encourages and supports artists to own\, curate\, exhibit\, and promote prints and printmaking independently. \nIn 2023\, IPEP India celebrated its 10-year milestone with landmark exhibitions at the Bihar Museum and Chandigarh Museum\, featuring a decade’s worth of exchanged portfolios. Additionally\, it hosted India’s first International Printmaking Symposium\, fostering critical discussions on the relevance of printmaking in the current scenario. \nIPEP India invited Saad Ghosn (USA/Lebanon) as an esteemed guest curator for its 2024 edition\, “imPrinting Justice” and brought together artists who explore social justice and advocacy themes through printmaking. Enriched by thought-provoking writings from Amrit Karter (India) and Michel Cassir (France/Lebanon)\, the exhibition is a powerful platform for amplifying artistic voices that address pressing contemporary issues. \n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”9602\,9603\,9604\,9605\,9606″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/international-print-exchange-programme-ipep/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/04/Andrew-Au-USA-We-Envision-That-Which-Etching-1.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250330T110000
DTEND;TZID=Asia/Kolkata:20250406T190000
DTSTAMP:20250408T100300Z
CREATED:20250408T100300Z
LAST-MODIFIED:20250408T100300Z
UID:10126-1743332400-1743966000@kamalnayanbajajartgallery.com
SUMMARY:Sculpted Stories
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nSculpted Stories In Stone \nThe sentence written here is one-dimensional. Note that the text on this page is being readIt aims to communicate with you\, the reader.\nThis is only in one direction. You are muted Your position is passive but mentally aware So also\, the stones that we see all around. They remain static in their natural setting Until a discerning eye sets its sight on them\nThe eye of one who pictures their potential And that is of Kamalkant\, an artist & sculptor This catalogue adds one more dimension It displays photographs of his recent work\nA creative range of sculptures hewn in stone. Featured here in two-dimensional images. Awaiting viewers to visit them in person For a sculpture must be viewed totally\nBeing present there\, it sees you go around Once you get active\, it goes mute\, awaiting. To be seen\, visible in the third-dimension. And read its love story with the sculptor.\nEach sculpture speaks about its creator Kamalkant\, and the creation tell the tale. Finding\, visualizing\, crafting & enhancing “Come see us they say\, and tell your story.\n\nHarshad Bhatla\nArchitec’s\n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”10128\,10129\,10130\,10131\,10132\,10133\,10134\,10135\,10136″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/sculpted-stories/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/04/IMG_3462-1-rotated.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Asia/Kolkata:20250323T080000
DTEND;TZID=Asia/Kolkata:20250429T170000
DTSTAMP:20250406T065906Z
CREATED:20250326T051911Z
LAST-MODIFIED:20250406T065906Z
UID:8775-1742716800-1745946000@kamalnayanbajajartgallery.com
SUMMARY:Astitva A Group Exhibition of Paintings curated
DESCRIPTION:[vc_row][vc_column width=”5/6″][vc_column_text] \nPresence of Realism Inaugural Exhibition by Studio Astitva The very idea of existence is deeply ingrained in the fabric of art\, particularly representational art. It reflects a profound connection to the world around us\, capturing its essence with authenticity and truth. The name Astitva signifies the essence of presence\, embodying the very idea of existence. Presence of Realism marks the beginning of an inspiring journey\, celebrating the dedication of artists who are deeply committed to the practice of representational art through classical academic training. In this inaugural exhibition\, we are proud to present works by eminent senior artists\, including Padma Shree awardee Vasudev Kamath and the renowned Vijay Achrekar. Their masterful creations are showcased alongside the vibrant works of actively practising contemporary artists and educators. These artists\, rooted in classical training\, have shared their knowledge and expertise with countless students across India\, shaping the next generation of artists. This exhibition is the result of a collaborative effort between Studio Astitva and Samsara Academy of Art\, curated by Vaibhav Naik\, Founder and Director of Studio Astitva. Ayuesh Agarwal\, the Founder and Director of Samsara Academy of Art\, has established the academy as a centre of excellence for classical academic training\, inspired by the techniques of the Renaissance and addressing a critical gap in today’s art education system. The exhibition offers a rich diversity within representational art\, encompassing figurative and conceptual painting\, drawing\, still life\, and more. It features works from established senior artists as well as final-year students from the academy\, offering a glimpse into how classical training shapes an artist’s journey and artistic expression. As we grow and evolve\, Studio Astitva aims to cultivate a thriving and supportive community for both seasoned and emerging representational artists. We are committed to guiding artists in thoughtfully executing and presenting their work\, ensuring that their artistic maturity and dedication are reflected in the visual impact of their creations. Through this exhibition\, we aim to inspire and spark meaningful conversations with the next generation of artists\, encouraging them to uphold the integrity and presence of their work while fostering a deep respect for the art they create.\nQurator: Vaibhav Naik.\n[/vc_column_text][/vc_column][vc_column width=”1/6″][vc_gallery interval=”3″ images=”9584\,9585\,9586\,9587\,9588\,9589″ css=””][/vc_column][/vc_row]
URL:https://kamalnayanbajajartgallery.com/event/astitva-a-group-exhibition-of-paintings-curated-by-studio-astitva/
LOCATION:Kamalnayn Bajaj Art Gallery\, Bajaj Bhavan\, Ground Floor\, Jamnalal Bajaj Marg\, 226 Nariman Point\, Mumbai\, Maharashtra\, 400021\, India
CATEGORIES:Past Events
ATTACH;FMTTYPE=image/jpeg:https://kamalnayanbajajartgallery.com/wp-content/uploads/2025/03/poster1.2-1.jpg
END:VEVENT
END:VCALENDAR